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There's a moment at the beginning of Lean on Pete that seems so naturalistic and incidental, it hadn't even occurred to me it might reveal a lot about the central character, Charley. On his way out for his morning run, Charley picks up a moving box lying on the ground in front of his house and puts it in a recycling bin. When I talked to writer-director Andrew Haigh about the film, I discovered that this moment was actually written into the script. As Haigh put it, "He’s leaving the house, and then he puts a bit of a box back in the recycling bin, to cover it up so that it looks a bit nicer." I think about this moment a lot now because of all the tiny things it tells us about Charley: ✨ He's just moved into this home — hence the moving boxes ✨ He's proud enough to make it look nice — and perhaps a little ashamed when it doesn't ✨ He's quietly taking responsibility for a mess his father likely left behind And for a film about the search for a safe and stable home, that's all very important. Here's what Andrew Haigh told me about this moment — and others like it — in my book on his film Lean on Pete: "It’s always about trying to find those subtle details to help tell a bigger story.
My scripts are quite detailed in the action of things.
Whether someone is looking in the mirror, or doing something with their hands, I put them into my scripts.
To me, that’s the plot points of the story.
My films aren’t driven by huge, overarching plot.
So it’s the little, emotional action beats that I try to get right."
Moments like these are easy to overlook — because you don't immediately assume that putting a box in a recycling bin is a meaningful character beat. But when you take the time to slow down to actually notice these little actions and think about what they mean — You go from feeling what a movie is doing to being able to articulate it. And in so doing, feel it more deeply. That's exactly what we'll do inside The Deep Focus: Lean on Pete, starting next Wednesday. Dig into the small emotional action beats, and see what they reveal. I'll pick scenes that reward this kind of looking — and ask questions to draw your attention to details that might seem insignificant, but actually reveal a lot. And with three chances to do this live (plus recordings you can revisit), you'll get a little better at it each time. Curious what other simple actions you might discover are pregnant with meaning? We begin on May 27 and end on June 7. Alex P.S. If you join The Deep Focus by Sunday, May 24, you'll also get a complimentary copy of my book on Lean on Pete. The book features interviews with director Andrew Haigh, cinematographer Magnus Jøenk, and editor Jonathan Alberts — so you can expand your thinking on the film outside of our three live sessions. Not interested in The Deep Focus: Lean on Pete? Click here to skip future emails about this round. |
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