Hello Reader, This June, you’re invited to watch a story about identity and family — where politics show up in relationships, not speeches. Nothing traumatic happens on screen. Instead, you get duty and ritual, love and relationships — and the kind of arguments you only have with the people who know you best. Why I chose it: It’s short — just 1h36m, easy to fit in It’s feel-good and thoughtful — goes down easy, stays with you It’s not streamable in North America — but the director has...
9 days ago • 1 min read
Hello Reader, Welcome to your June edition of The Globetrotting Watchlist. This month, we’re focusing on Palestinian cinema — films that grapple with occupation, resistance, and identity, often under impossible constraints. Inside Reel Ruminators, I’ve programmed a Palestinian film you can’t stream anywhere else in North America. It’s a rare find, and a powerful one — so I wanted to build a broader cinematic lens around it here. In this newsletter, you’ll find a selection of publicly...
10 days ago • 7 min read
Hi Reader, What makes the Langley vault sequence so memorable? The gum bomb? The characters who only have a couple of scenes? What other film wrings this much tension from a floppy disk and a drop of sweat? Ep. 174: Mission Impossible (1996) with Angelo Muredda This week on the podcast, fellow film critic Angelo Muredda joins me to dig into why the original Mission: Impossible still stands apart. Not just because it was directed by Brian De Palma, but because of the elegance of its...
11 days ago • 1 min read
Hello Reader, We talk a lot about endings. (Did it stick the landing?) We sometimes talk about openings. But put them together, and you unlock something about the film. That’s what this week’s episode is all about. Last week, I talked about Jane Austen Wrecked My Life as a whole: what makes it one of the best films of 2025. This week, I’m zooming in on how it begins and ends. Because in a film this thoughtful, those bookends carry serious weight. It’s not just about how the story opens and...
18 days ago • 1 min read
Hello Reader, We just wrapped the second live Reel Ruminators convo for this month’s film — a special extra we added for May — and both were so rich in different ways. In the first session, we dug into a scene that’s just three minutes long — but it absolutely knocked me out. The sound design. The tenderness. The way it holds so much in so little time. Whether or not it came up again in the second convo (you’ll see!), that’s part of what makes this experience so meaningful — the chance to...
19 days ago • 1 min read
Hello Reader, I didn't expect to watch Jane Austen Wrecked My Life three times last week. But I did. I couldn't help myself. The first time was to jog my memory so I could record this week's podcast. The second was because it brought me such ecstatic joy that I wanted to relive it. The third was to obsess over the details in writer-director Laura Piani's exquisite filmmaking. Why does this film fill me with glee and laughter? (It's definitely the verbal wit. But it's the visual wit, too.) How...
25 days ago • 2 min read
Hello Reader, It can be easy for some of us to forget how recent the “bad old days” were — when queer couples were still jumping through hoops to be seen, recognized, allowed. Alice Douard’s debut feature, Love Letters, just premiered in Critics’ Week — one of the lesser-publicized sidebars at Cannes (which I broke down on Ep. 171 of the podcast). It’s not available to watch yet — but it’s one to keep an eye out for. And if you’re curious about how it captures a very recent chapter of queer...
26 days ago • 1 min read
Hello Reader, We’re midway through this year’s Cannes Film Festival — and while it hasn’t made many headlines, seven women directors are in Competition this year. That’s the most in the festival’s history. It’s progress — but it’s also a reminder of how far we still are from gender parity. And most of those seven are white women. Many of the best women directors working today are still relegated to sidebars… or left out entirely. In Episode 1 of our Women at Cannes series on the Seventh Row...
27 days ago • 1 min read
Hello Reader, When End of the Century hit our screens back in 2019, it felt like discovering a secret: a queer Before Trilogy wrapped into a single film, where every encounter rewrites the last and nothing unfolds in a straight line. Lucio Castro is the kind of filmmaker I love to spotlight: making rich, risk-taking work outside the mainstream. His new film, Drunken Noodles, just premiered at Cannes’ ACID sidebar — and while it’s not yet available to stream, it’s one to keep on your radar. I...
28 days ago • 1 min read