Film of the Week: The Eight Mountains is now streaming


Hello Reader,

The best movie of 2023, The Eight Mountains (tied with Other People's Children), is now on Criterion Channel in Canada and the US! It's also available to rent/buy on VOD.


Did someone forward this email to you?

Don't miss out on future recommendations and exclusive content from the Seventh Row Newsletter that you won't find on our website. Subscribe today for FREE!


The Eight Mountains

It won the Jury Prize at Cannes last year and is the best movie of 2023. You can now see it on VOD and/or the Criterion Channel in Canada and the US.

Here's an excerpt from my glowing review:

Felix van Groenigen and Charlotte Vandermeersch’s The Eight Mountains is an epic story of a friendship between two unlikely boys over decades and across continents. Local Bruno (Cristiano Sassella) and city-dweller Pietro (Lupo Barbiero) are the only children in a small Italian town one summer. They become fast friends. Class differences and what those mean for growing up quickly tear them apart. A loss more than a decade later unexpectedly brings them back together. A piece of land ties them to each other for another decade. This intimate story feels sweeping in scope, thanks to the many wide shots of the characters against the awe-inspiring landscape.
Just as Daniel Norgren croons on the soundtrack about “time slip[ping] away,” The Eight Mountains is about the ebbs and flows of time and friendship. In one scene, the children part ways at the end of the summer. In the next cut, it’s summer again. One night, child Pietro storms up the stairs to his room. When we cut, he’s an adolescent (Andrea Palma) who hasn’t spoken to Bruno in years. Fifteen years go by in a flash. Nico Leunen’s editing never draws attention to itself, slyly stretching and shrinking time to align with its emotional weight. A summer full of possibilities features many scenes, some of them long. Years get elided into a brief voiceover and a couple of quick images.

Read the full review

Want more great streaming recommendations?

Become a Seventh Row member by August 31st to receive this month's Premium Seventh Row Newsletter (a member benefit), which offers a curated selection of the best under-the-radar films you won't want to miss this month.

As a member, you'll also be helping immensely to support what we do. Seventh Row is a nonprofit, add-free film criticism publication.

We rely on support from readers like you to keep the lights on. Running a fast, easy-to-use website with 10+ years of archives and a podcast costs a small fortune. Just keeping the site live and functioning costs us $300/month...to say nothing of labour costs.

If you like what we do, please consider supporting us.


Best,

Alex Heeney

Editor-in-Chief, Seventh Row

P.S. You can now search our entire archive of interviews and reviews/essays on our website! You can also browse everything we've published in order of publication date (starting with the most recent pieces). We're working on an archive of our podcasts that's searchable by film.

Seventh Row

Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.

Read more from Seventh Row

Sometimes, committing to one curated film a month can lead to unexpected shifts in how you see films — and yourself. That’s exactly what Hazel, a longtime member of Reel Ruminators, has experienced. In this week’s podcast episode, she reflects on what she’s taken away from a year of participating — and how that simple, consistent practice has shaped the way she approaches films. We talked about: What happens when you watch films that aren't suggested by an algorithm. Why gathering with film...

Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...

Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past...