Hello Reader, Are you ready for Cannes? The 2025 Cannes Film Festival kicks off today, and while everyone's focused on the Palme d'Or contenders, I'm here to tell you there's a whole world of incredible cinema waiting to be discovered beyond the main competition. For example, Chantal Akerman's Jeanne Dielman (1975) — the film crowned as the greatest film of all time in the 2022 Sight & Sound Poll — screened in one of the festival's unofficial sidebars: Directors' Fortnight. In fact, Akerman's films have never screened in the Official Competition. She's not the only cinematic giant not welcomed to the competition. Even Agnès Varda only ever screened in competition once, and Claire Denis has only screened there twice. Meanwhile, major filmmakers like Agnieszka Holland, Patricia Rozema, and Joan Micklin Silver have screened at Cannes but only in the sidebars. To help you navigate how all the parts of the Cannes Film Festival work together, I've compiled a quick guide to the sidebars. Because, my goodness, is it confusing...even in my first year on the ground at the festival, I was lost! You can read the short version here. ...or listen to the more in-depth version on the podcast... Episode 171: Navigating Cannes beyond the CompetitionIn the latest episode of the Seventh Row Podcast, I dive deep into how to navigate Cannes like an insider. I talk about the hidden gems of yore and this year tucked away in the sidebars and unofficial sections – the films that might just become tomorrow's classics and the filmmakers you'll be hearing about for years to come. What You'll Discover in This Episode:
Ready to navigate Cannes like an insider? Stay tuned for my on-the-ground coverage, which starts this week! Happy listening! Alex Heeney P.S. There is still time to join the May 2025 Edition of Reel Ruminators! If you do, you'll have a head start on one of this year's (likely) breakout filmmakers, by watching their best film to date. It's a South African LGBTQ+ film that is IMO one of the best of the decade. Doors close at midnight ET. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, With Young Mothers, the Dardennes’ new film, premiering in Competition at Cannes next week, I’m finally publishing something I’ve been sitting on for nearly a decade. In 2016, I interviewed the Belgian Palme d'Or Winners Jean-Pierre and Luc Dardenne at the Toronto International Film Festival (TIFF) about The Unknown Girl. (The film stars Adèle Haenel, the co-lead of Portrait of a Lady on Fire.) We spoke in French — no translator, just my rusty comprehension and their willingness...
Hello Reader, You are receiving this as a paying subscriber to The Globetrotting Watchlist (which includes Film Adventurer and Cinephile Members), a monthly newsletter that helps you expand your cinematic horizons through streaming recommendations for the best socially progressive under-the-radar films worldwide. Your support helps us pay our expenses to keep Seventh Row, a non-profit, ad-free and online. What's Inside the Globetrotting Newsletter This month, I'm recommending: A queer wedding...
Hello Reader, Earlier this week, I sent out a note about how most of us haven't seen as many films from Africa as we have from any other country... ...but I only briefly mentioned why that's the case. It's not because we're bad international movie lovers. It concerns how the film industry works, how African films go from festival circuit to arthouse cinemas to VOD, and how movies make it onto our radar. Episode 170: Why is it so hard to see African films? So today on the podcast, I go deep...