Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past decade, and each time, it lands differently. Today on the Seventh Row Podcast, I’m joined by Lindsay Pugh (Editor-in-Chief of Woman in Revolt) to unpack why 45 Years only gets richer with time. We talk about:
Whether it’s your first time watching or your fifth, or you're just starting to realize it's a film you could return to again and again, this episode is for you. If this conversation resonates — or makes you want more like it — I talk a bit at the end of the episode about Reel Ruminators, my membership for film lovers who want to sit with what they’ve watched, unpack how it works, and maybe see it again with new eyes. This episode is a great place to start. Happy listening, Alex |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, This week on the podcast, I’m digging into Celine Song’s new film, Materialists, which asks: Is love enough when money is tight? It’s got plenty going for it (that cast! that blocking!), but also tiptoes around the class and money dynamics it sets up. In this episode, I get into where it works, where it falls short, and how it stacks up next to films and shows that explore similar territory (Gossip Girl, Mansfield Park, and more). A few spoilers ahead, especially when I get into...
Hello Reader, What do a British political thriller, an Indigenous Canadian documentary, and a queer South African drama have in common? Honestly… I wasn’t sure at first either. I programmed them inside Reel Ruminators because they were different: crossing genres, continents, and perspectives. And yet, in hindsight, I realized they were all circling some of the same big questions. Watching and thinking about one film changed how I watched and thought about the others. And I have an inkling...
Hello Reader, This June, you’re invited to watch a story about identity and family — where politics show up in relationships, not speeches. Nothing traumatic happens on screen. Instead, you get duty and ritual, love and relationships — and the kind of arguments you only have with the people who know you best. Why I chose it: It’s short — just 1h36m, easy to fit in It’s feel-good and thoughtful — goes down easy, stays with you It’s not streamable in North America — but the director has...