Hello Reader, There's a persistent myth that the best way to watch movies that you'll enjoy is to watch what's already in your well-established wheelhouse. The last thing you want to do is take a risk on an unknown quantity that you might not like. I 100% understand this. You only have so much free time, and you want the movies you watch to count. But here's the truth: One of the best highs you can get from cinema is when you discover a film you wouldn't have otherwise watched and didn't expect to like...but actually loved! It's like unlocking a door you didn't even know was there, behind which there's even more to love and discover. Fourteen years ago, I almost missed seeing this tiny Norwegian film called Oslo, August 31st. I thought, "Why on earth would I want to watch a film about 24 hours in the life of a suicidal heroin addict in Oslo?" And yet, miraculously, it felt like this movie was made just for me. It's become part of my identity, and I'm even writing a book on the director. But I came so close to never opening the door to this film that would change my life! What cinematic doors are you ready to unlock?Of course, every movie can't be your Oslo, August 31st, but every film that lingers with you is a little cinematic burst of joy to treasure. It's a delight Nurri has experienced repeatedly in Reel Ruminators. "Most of the Reel Ruminators films have been such a discovery for me and aren’t films I would have necessarily chosen to watch on my own.
It’s opened me up to new types of films that I really like!
One of the films that really lingered with me a lot…I saw the trailer and thought, I would not have watched this if I were just alone…and what a loss that would have been!"
Still, not every movie can be a hit with everyone. And if you join us in Reel Ruminators this month, you might not fall head over heels for this month's film. But here's what Nancy wants you to know about the films she's watched in Reel Ruminators: "Even the films that didn’t earn my personal 5-star rating were stimulating and thought-provoking because they taught me something new about the possibilities of cinema."
- Nancy, Reel Ruminators Member.
Part of the fun of the live discussion is learning about how the film worked for some people and not others -- and finding more to appreciate about the film, regardless of your initial response. As Michael told me about a past Reel Ruminators film, "I liked the movie even more after we discussed it." If you join us for the April 2025 edition of Reel Ruminators...We'll be watching an Indigenous film from so-called Canada directed by an Indigenous woman. To my knowledge, no other feature film has addressed this hot-button issue from an Indigenous perspective. And this film does so very sensitively. How often can you say that you've been dropped into a world where settlers barely factor into the story (although settler colonialism casts a long shadow)? And if you are a settler, when have you ever been invited into an entirely Indigenous space where your positionality as a settler didn't affect the interaction? That's the magic of cinema! This film gives you access to those spaces! But beyond the film's subject matter...This is an expertly and creatively crafted film that finds a cinematic language for life's contradictions. How do you make a movie about how incredible joy and pain can coexist? How do you tell a story about Indigenous communities' strength and resilience without downplaying the real threats to these communities? How do you tell a story about how the people most in need of lifting up in your community are the ones lifting up others? This film does all of that! And in the discussion, we'll delve into how the film does this, including how it juxtaposes sound and image. This film is a masterclass in juxtaposition. It's also a film that hits you in the feels...in the best wayEveryone I've previously shared this month's movie with has loved it. Many (including me!) have even had their worldview changed by it, even if, like me, they went in mostly sharing its politics. That's why I think it's one of the most important films of this decade, if not this century. And that's why I've programmed it as the movie of the month in Reel Ruminators. If you join us in Reel Ruminators, by the time we wrap on April 30, you’ll have:
Here’s what you get:
Because we watch a different movie in Reel Ruminators each month, April is the only opportunity to watch and discuss this movie. Click here to join the April 2025 Edition of Reel Ruminators ($30 USD) See you at the end of April for the discussion! Alex PS. If you have any questions about whether this is a good fit for you right now, please hit reply and ask! I’m on the other side of this email. P.P.S. Need more info? You can find additional details about Reel Ruminators here. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, You are receiving this as a paying subscriber to The Globetrotting Watchlist (which includes Film Adventurer and Cinephile Members), a monthly newsletter that helps you expand your cinematic horizons through streaming recommendations for the best socially progressive under-the-radar films worldwide. Your support helps us pay our expenses to keep Seventh Row, a non-profit, ad-free and online. What's Inside the Globetrotting Newsletter This month, I'm recommending: Three must-see...
Hello Reader, As we teased in episode 161, this is the time of year when the best international films of the year come out in cinemas. One of the year's best films, the queer French erotic thriller Misericordia by Alain Guiraudie, is out in cinemas this week. It's definitely not for everyone, but it's an extremely well-made film that takes unexpected turns and is often very funny. Episode 165: Alain Guiraudie's Misericordia Today, on the podcast, I briefly discuss why I liked the film and...
Hello Reader, It’s not very often that we get a movie for adults that’s smart and fun and screening theatrically. But Steven Soderbergh’s London-set spy thriller Black Bag fits this bill and opened in North American cinemas last weekend. The film features major stars like Cate Blanchett and Michael Fassbender, who play the married couple around whose relationship the film pivots, and major lesser-known talents like Tom Burke and Naomie Harris in key supporting roles. As a card-carrying...