A queer South African stunner — available till June 2


Hello Reader,

We just wrapped the second live Reel Ruminators convo for this month’s film — a special extra we added for May — and both were so rich in different ways.

In the first session, we dug into a scene that’s just three minutes long — but it absolutely knocked me out. The sound design. The tenderness. The way it holds so much in so little time.

Whether or not it came up again in the second convo (you’ll see!), that’s part of what makes this experience so meaningful — the chance to revisit, reframe, and deepen your relationship to the film through multiple lenses.

If you join before June 2, you’ll get access to:

  • the film title
  • both convo replays
  • reflection materials
  • and all the context you need to explore the film on your own time

This month’s pick is a gorgeously shot queer film from South Africa, directed by someone I genuinely believe is one of the most important filmmakers under 50 working today.

The cinematography is breathtaking — and it’s not just me saying that. The film was BAFTA-nominated and earned three BIFA nominations, including for cinematography and direction. But this isn’t just a technically beautiful film — it’s politically sharp and emotionally layered.

It explores a part of South African history that even its South African director wasn’t familiar with before making the film — and it does so with rare clarity about how homophobia and white supremacy are rooted in the same impulse: punishing difference to maintain power.

I know I sound like a broken record — “this film is incredible, this director is one to watch” — but when you only pick 12 a year, the bar is high. And this one clears it.

The director’s latest just premiered at Cannes (featuring two actors we’ve talked about a lot on Seventh Row 👀).

This earlier film? It’s the one to catch now, before the buzz builds.

🎟️ Want in before we roll into next month?

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🔄 Quick tech note: Our system may indicate that your membership renews “in one month,” but everything will refresh on June 2. You can cancel anytime before then (even right after joining), and you’ll still have full access through June 2. Stay for June, and you’ll also keep access to everything from May.

Alex

Seventh Row

Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.

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