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If you're considering joining The Long Arc: Looking Season 1, which starts next Tuesday, June 30 — I haven't actually talked about the most important thing. Why a 10-week commitment lets us have a better conversation than something you can drop in and out of. So let me walk you through the long arc you — and the group — will go through, too. (Yup, I'm not just talking about the long arc of a season of TV!) In Week 1, you'll start learning how to investigate this show.As soon as you join, I'll give you a question to carry into the episode. And you’ll pick a lens of your own for the season – one thing you’ll pay attention to in each scene while you watch each episode, like what Patrick is wearing or where it's set. In the live room, we'll do something different. I’ll guide us through individual scenes moment to moment to see how they evolve — and how the filmmaking helps us understand what's happening. That could be about when the cut comes or doesn’t. Or how close two people are at the beginning of the scene compared to the end. Or how a scene quietly shifts without drawing attention to itself. Then we'll put those scenes into conversation with one another to answer the question we're investigating. You’ll think aloud. You'll listen to others do the same. You’ll start to connect filmmaking choices to how you understand the characters and the story — and to what you’re feeling. And you'll leave seeing the episode differently than when you arrived. In Week 2, we won't start from scratch.You're carrying all the questions, observations, and ways of looking we uncovered that first week into the next episode. And so is everyone else. Week 3 builds on Week 2. Week 4 builds on Week 3. By Week 5, we’re all watching the show differently than when we started.Your lens will have sharpened what you see — and what questions you ask. If yours is Patrick's costumes: You'll notice when Patrick wears plaid (as in episode 1 on the left), and when he doesn't (as in episode 5 on the right), and have a theory about what that tells us. Everyone else’s lens will have expanded your field of vision. Now you're also thinking about when characters share the frame — or don't. And what each location in San Francisco means. You’re using the question from one week to think about what happens later on. In Week 1, we asked, "What is Patrick looking for — and what finds him that he wouldn't have thought to look for?" Only now, you're asking the same question about Dom in Weeks 2, 3, and 4. Because it's taken Dom four episodes to go through the arc Patrick did in one. The live sessions have given you weeks of practice connecting what the show makes you feel or think to how it's doing that. In the process, you've become better at distinguishing between what you're bringing to the show and what the show is actually doing. And everyone else has been on that same journey, too. Which means the conversation deepens every week.In part, because we’re all just better at having it. And in part because we’ve built a lot of shared context. In Week 5, someone can spot a connection between the scene we’re rewatching together and something we investigated in Week 1. Like how Patrick is looking in a mirror again in Episode 5 (right) — and how different everything feels from Episode 1 (left). When they name it, everyone goes “Ohhhhh." Because we all remember what they’re talking about from episode one. When you spend 20 minutes unpacking five minutes of filmmaking, what it’s doing tends to stick. (And we won't just be talking about what's obvious from two still frames, we can talk about movement and sound because we can see and hear that in the room.) Then, we build on it. What does that connection mean? What other connections do we see? That’s what a 10-week commitment makes possible.We’re not having 10 separate conversations. We’re having one conversation that keeps building on itself. The Long Arc was adapted from my four-month program, The Long Take, which was built around three films on a theme. And here’s how that experience deepened over time: “We come back within the month and have another talk about it, and something that someone said before can unlock something… the first discussion can feed into a rewatch… and then you pick out different things.
You might watch the film again and talk about it again, and it just gets richer and deeper.
Outside of academia, I just don’t think you really get that invitation to really spend time digging in.”
– Hazel S., The Long Take participant
Consider this your invitation to dig in with us this summer.We start Tuesday, June 30, and meet every week until September 1. It’s capped at 20 people. 👉 Check out the dates and details here Alex Not interested in this round of The Long Arc? Click here to skip future emails about it. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
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