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Julie spends most of The Worst Person in the World trying to work out what kind of life she wants. She changes degrees. She changes relationships. She keeps discovering that the life she thought she wanted no longer quite fits. From the outside, it could look like she just can’t make up her mind. But that’s not how it feels to watch her.
Somehow, throughout the film, we always seem to understand:
Even though she rarely explains any of it out loud — in fact, she often can’t yet explain it. We often credit our understanding of Julie to Renate Reinsve’s extraordinary performance. But there’s no facial expression for being 70% of the way to making up your mind. And there’s no body position for why this choice costs so much more than that choice. Joachim Trier’s direction has to make all of that visible. The question is… How does he do that? Let me show you one way he achieves this → Alex P.S. The Deep Focus: The Worst Person in the World is built around one central question: how does Trier let us into Julie's decision-making process throughout the film? If you click through, I'll show you one example of how he does that. We start the first week of August. Enrollment opens July 23. Each cohort is capped at eight people, which is why enrollment isn't open yet: to give you time to work out whether it's an experience you'd enjoy. P.P.S. If you're wondering how you can learn about the program:
If you already know you don't want to join any part of Joachim Trier Summer — including the email series — you can skip future emails by clicking here. |
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