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I recently discovered a tiny pasta shop a few blocks from my apartment (aptly named Tiny Market), where every weekend, they offer a different fresh pasta for takeout. They sell out fast. And if you snooze, they may never bring that particular recipe back. So time and again, I've found myself trying out pastas that I never would have ordered at a restaurant. I'm still thinking about a pasta I took a chance on a month ago, and loved enough to go back for twice in three days. Now, they sell their fresh, uncooked pasta. So I could technically buy that, find a recipe online, and try to make a facsimile of the same delicious dish on my own. But it wouldn’t be the same. I think we often assume movies — and conversations about them — are on demand in the same way that I could technically make the pasta myself. But I’ve been thinking a lot lately about how something special happens when you gather a group of thoughtful people in the same room to discuss film. And that’s why from October 3–5, I’m hosting the Living Out Loud Summit:A free online event for conversations about queer and trans cinema and queer and trans history.Every panellist in the summit is someone who’s helped shape how I think about queer and trans cinema and history. I’m excited to be in conversation with them live, and to invite you into that conversation, as well. 🗓 On Friday, October 3 (2 pm–4 pm ET), join us for a roundtable + Q&A on reclaiming queer and trans history with a group of historians, educators, archivists, and filmmakers. 🗓 On Saturday, October 4 (2 pm–4 pm ET), join us for a roundtable + Q&A on queer and trans cinema today with a group of queer film critics. We'll consider how we define it, why it resonates, and what gaps still need to be filled. Expect a panel discussion with ample time for audience Q&A and conversation. 🗓 Finally, on Sunday, October 5 (2 pm–4 pm ET), join me for a screening of a queer (award-winning) short film, which ties the weekend’s themes together. Then we’ll unpack the film — and the ideas it’s engaging with — together. Because sure, you could buy every single participant’s book and creep them on social media, Reader (the DIY pasta version). But it will never be the same as being in the room with them live, where your ideas and curiosities can shape the conversation. And where you can engage directly with the panellists and fellow participants. Want in?Hope to see you there, Not interested in Living Out Loud? Click here to opt out of these emails. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, Welcome to your January edition of The Globetrotting Watchlist. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter This month, I'm recommending the best documentaries of 2025: A Spanish film about bullfighting (no interest in bullfighting required) A German movie...
Near the end of Sound of Falling (the film I discuss on this week's Seventh Row Podcast), Angelika (the blurry figure in the photograph below) poses uncomfortably for a family photo in the 1980s before disappearing. How we read this photo — and what it means that she's blurry in it — is something we can only construct from the film's form: How this image evokes ones we've seen before in the film's 1914, 1940s, and present-day timelines. And how the scenes leading up to this — not just plot...
Every year since I started voting in critics’ awards, I’ve engaged in the time-honoured tradition of effectively spoiling my ballot. In other words, I vote for my favourite picks, even if they have zero chance of being nominated by anyone else. For an insight into my proclivities, in 2023, this was my Best Actor lineup: Alessandro Borghi, The Eight Mountains (Italy/Belgium)Andrew Scott, All of Us Strangers (UK)Benoît Magimel, Pacifiction (France/Spain)Luca Marinelli, The Eight Mountains...