How the Oscars affect the international films you hear about


Hello Reader,

Even if you don’t care about the Oscars, what’s considered Oscar-worthy deeply impacts what films you hear about.

Because arthouse and international distributors divide films into two categories: movies they think can win Oscars and movies that can’t.

Oscar movies get massive marketing budgets, come out in the fall, and screen for months. So you hear about them. The rest get dumped in the spring and summer, and they might not even tell the press the films exist, no matter how good the movies are. More international films are being allowed into the Oscars, but it’s still a pretty narrow set.

And what’s considered Oscar-worthy comes down to marketing. Did it premiere at the right festival? Did it get seen by the right people? Can you pitch the movie as a high concept in one sentence that makes you go ‘ooh’?

If a film is too nuanced and complex to summarize so succinctly, it won’t get pushed for Oscars. And that latter category describes, in my opinion, the majority of the year’s best films.

Today’s episode is the first in a two-part series about the Oscars’ impact on what movies you hear about and can easily see featuring C.J. Prince of Acquired Cinema.

Today, we talk about how and why the Oscars have become a little more international and a little more interesting in the last few years and how that affects what movies you hear about.

Next time, we’ll talk about international and arthouse movies that aren’t Oscar hopefuls, even though they may have mainstream appeal. What differentiates these films? And what films can you look forward to this spring and summer?

Episode 160: How the Oscars affect the international films you hear about

Listen on Apple Podcasts

Listen on Spotify

Listen on your browser

Happy watching/listening!

Alex

P.S. I'm planning to offer a series of themed film workshops in the spring. I'd love your feedback!

Please fill out this quick survey (4 minutes, 4-5 questions) to let me know which ones you're interested in joining.


Don't want to receive updates on the Seventh Row Podcast?

Click here to opt out of future emails about the Seventh Row Podcast

Seventh Row

Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.

Read more from Seventh Row

Hello Reader, It’s not very often that we get a movie for adults that’s smart and fun and screening theatrically. But Steven Soderbergh’s London-set spy thriller Black Bag fits this bill and opened in North American cinemas last weekend. The film features major stars like Cate Blanchett and Michael Fassbender, who play the married couple around whose relationship the film pivots, and major lesser-known talents like Tom Burke and Naomie Harris in key supporting roles. As a card-carrying...

Hello Reader, Joan Micklin Silver was writing and directing movies in 1970s America when very few women were. Elaine May’s A New Leaf came a few years before Silver’s first feature, but Silver pre-dated filmmakers like Claudia Weill, Nora Ephron, and more who followed in her footsteps. Her four features are all excellent, and a great B Side to the era's films — the Jewishness of a Woody Allen movie without all the creepiness, the emancipated women of Mazursky but told by a woman. But what...

Hello Reader, You are receiving this as a paying subscriber to The Globetrotting Watchlist (which includes Film Adventurer and Cinephile Members), a monthly newsletter that helps you expand your cinematic horizons through streaming recommendations for the best socially progressive under-the-radar films worldwide. Your support helps us pay our expenses to keep Seventh Row, a non-profit, ad-free and online. What's Inside the Globetrotting Newsletter This month, I'm recommending: Winter in...