Hello Reader, Even if you don’t care about the Oscars, what’s considered Oscar-worthy deeply impacts what films you hear about. Because arthouse and international distributors divide films into two categories: movies they think can win Oscars and movies that can’t. Oscar movies get massive marketing budgets, come out in the fall, and screen for months. So you hear about them. The rest get dumped in the spring and summer, and they might not even tell the press the films exist, no matter how good the movies are. More international films are being allowed into the Oscars, but it’s still a pretty narrow set. And what’s considered Oscar-worthy comes down to marketing. Did it premiere at the right festival? Did it get seen by the right people? Can you pitch the movie as a high concept in one sentence that makes you go ‘ooh’? Today’s episode is the first in a two-part series about the Oscars’ impact on what movies you hear about and can easily see featuring C.J. Prince of Acquired Cinema. Today, we talk about how and why the Oscars have become a little more international and a little more interesting in the last few years and how that affects what movies you hear about. Next time, we’ll talk about international and arthouse movies that aren’t Oscar hopefuls, even though they may have mainstream appeal. What differentiates these films? And what films can you look forward to this spring and summer? Episode 160: How the Oscars affect the international films you hear aboutHappy watching/listening! Alex P.S. I'm planning to offer a series of themed film workshops in the spring. I'd love your feedback! Please fill out this quick survey (4 minutes, 4-5 questions) to let me know which ones you're interested in joining.
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Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, Welcome to your July edition of The Globetrotting Watchlist. This month, I'm recommending a couple recent festival gems that are now on VOD. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter This month, I'm recommending: A Palestinian film about the limbo of...
Sometimes, committing to one curated film a month can lead to unexpected shifts in how you see films — and yourself. That’s exactly what Hazel, a longtime member of Reel Ruminators, has experienced. In this week’s podcast episode, she reflects on what she’s taken away from a year of participating — and how that simple, consistent practice has shaped the way she approaches films. We talked about: What happens when you watch films that aren't suggested by an algorithm. Why gathering with film...
Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...