Luca Guadagnino's best film


Hello Reader,

2024 has been a big year for Luca Guadagnino movies: his tennis movie Challengers was a spring hit, and his William S. Burroughs adaptation Queer is now in cinemas and Oscar campaigning.

So this felt like a perfect opportunity to celebrate Guadagnino's 2017 queer romance Call Me by Your Name on the podcast -- especially as the opening credits of Queer are a direct callback to the opening credits of Call Me by Your Name.

The film made Seventh Row's list of the top 10 films of the 2010s (we also wrote a book about it) and is, in my opinion, Guadagnino's best film. It's also seasonally a propos as it ends with Hannukah (and today is Day 3 of Hannukah!).

Episode 151: Call Me by Your Name

This week on the podcast, I delve into why I love Call Me by Your Name, from how it works as a ‘romance of stuff,’ its attention to tactile details, its flirtatious editing style, and its ability to evoke a world beyond the frame.

I talk about:

  • How the opening credits of Call Me by Your Name sets it up as a romance of 'stuff' (a trait it shares with Queer), in which we can trace the progression of the relationship through the characters' objects
  • How Call Me by Your Name constantly makes us aware of what's going on offscreen, creating a vibrant world and cast of characters (which is missing from Queer and Challengers)
  • How Walter Fasano's flirtatious editing puts us in the headspace of the characters
  • How Call Me by Your Name is a tactile film

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Happy watching/listening!

Alex


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Seventh Row

Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.

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