Hello Reader, "It's a miracle this film was made. It's a miracle this film survived." This is the opening title card on the new 4K restoration of the landmark anti-Apartheid film, Mapantsula (1988). The film was made in South Africa during one of the most oppressive periods of Apartheid, and it's a film that centres Black people's perspectives and Black talent. It was Oliver Schmitz's first feature as a director, but the film is co-written by its lead actor, Thomas Mogotlane, who also served as the film's casting director and a major co-creator. In the press notes, Schmitz writes: "Mapantsula is not just a film, it is an act of defiance. It is guerilla filmmaking and a cameo of some of the best talent from South AFRICA in the 1980’s — and by that, I mean Black talent, that had been held back, had no voice, and could not speak freely. Mapantsula was a taste of freedom at a time of the worst repression in South Africa. It was a loud and clear expletive at the Apartheid Government. It was a film that should not have been made, and yet, it was.” This week on the podcast, I talk to South African director Oliver Schmitz about Mapantsula, the challenges of making an Anti-Apartheid film during Apartheid, the film's legacy, the restoration process, and why you're never freer than when you make your first feature. The film is currently rolling out across cinemas in North America, and is already available on VOD/streaming in the UK and on Netflix in Africa. Listen to my interview with Oliver Schmitz on Mapantsula Alex
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