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Happy watching!
\nIf you have any feedback on the newsletter, please hit reply and let me know. What's working? What isn't? What could make it more valuable?
\nBest,
\nAlex Heeney, Editor-in-Chief
\nPS Have a friend whom you think would like our newsletter? Feel free to forward this to them and let them know they can sign up here.
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You're receiving the Premium Monthly Newsletter because you are a Seventh Row Member.
The newsletter will cover the best films to watch in the coming month on streaming/VOD/virtual cinemas, primarily in Canada, the US, and the UK — though it's a great resource for what to watch out for if you live in other places.
This month, some of our favourite Cannes 2022 films are finally finding their way to your television screens! Catch the French anti-rom-com Everybody Loves Jeanne on Mubi on July 27 and the Chilean political thriller Chile '76 on VOD on July 11 in Canada/US (already available in the UK).
The Canadian documentary miniseries Lac-Mégantic: This is Not an Accident, which we featured on our Creative Nonfiction Podcast Season, is now streaming free in Canada on CBC Gem (or internationally with a good VPN hack!). Also streaming free on CBC Gem in Canada is Sonia Boileau's 2022 miniseries (now available for the first time with English subtitles) Pour Toi Flora exploring inter-generational trauma of an Indigenous family caused by residential "schools". It's a remarkable piece of filmmaking and storytelling, and a must-see for every Canadian.
If you're in the US, you can catch Sundance favourites Bigger on the Inside and Fancy Dance at virtual OutFest while we wait for the films to get picked up for distribution.
Finally, you can catch up with Alice Winocour's first feature Augustine, which covers some of the same ground as Portrait of a Lady on Fire only seven years earlier! It's been unavailable to stream for YEARS and is finally accessible in multiple countries! Winocour's latest feature, Revoir Paris, will also be hitting US VOD on July 25 (other territories are still TBA). If you've yet to catch up with my interview with Alice on Revoir Paris, you can do so here.
In a recent edition of the newsletter, I recommended catching up with Yann Demange's '71, which is on Mubi Canada and hits Mubi US on July 16.
Have a friend whom you think would like our newsletter? Feel free to forward this to them and let them know they can sign up for the free version here.
🇺🇸 Click here for Fancy Dance tickets 🇺🇸 Click here for Bigger on the Inside tickets in the US
If you're in the US, you can catch virtual screenings of two of our favourite festival films from the last year which have yet to secure distribution. They're streaming as part of LA's OutFest.
One of the best films from Sundance 2023, Fancy Dance, is about a queer Indigenous woman (played by Lily Gladstone!) who goes on a road trip with her niece in search of her missing sister (her niece's mom) whom she worries may already be dead. The film is a thoughtful exploration of the massive problem of Missing and Murdered Indigenous Women and an ode to family while realistically looking at the way colonialism continues to harm Indigenous families.
Listen to our discussion of Fancy Dance on the podcast.
I'm hoping Fancy Dance will get picked up as Lily Gladstone becomes a star thanks to the new Scorsese film, but AFAIK, it's not yet been announced.
Angelo Madsen Minax’s (North by Current) Bigger on the Inside is a travelogue into the psyche of Minax — or perhaps the character of Minax, as the film is fully scripted — as well as a direct dialogue with the audience. The film is part photographic montage, YouTube video montage, text message exchanges, animation, text typed to the audience, and flights of fancy. It’s a film about loneliness, searching for identity, discomfort in identity, spending time in nature, going down rabbit holes on the internet, and looking to connect with others but being afraid or unsure to do so.
You might call it an essay film, but you feel like you’ve jumped into his head, John Malkovich style. Bigger on the Inside is densely packed with ideas and has some of the greatest laugh-out-loud moments. It’s also, at turns, sad, contemplative, and searching. You’ll want to watch it back immediately.
Read my interview with Angelo Madsen Minax about Bigger on the Inside
Minax told us he has no interest in putting the film up online (e.g. on Vimeo), though he may be open to a streaming deal with somewhere like Criterion or Mubi. That means this may be your only opportunity to see the film (unless it's coming to a festival in a city near you) for some time.
Happy watching!
If you have any feedback on the newsletter, please hit reply and let me know. What's working? What isn't? What could make it more valuable?
Best,
Alex Heeney, Editor-in-Chief
PS Have a friend whom you think would like our newsletter? Feel free to forward this to them and let them know they can sign up here.
Don't want to receive our digest of recommended films? You can unsubscribe to just these emails. You'll still receive relevant updates from us at Seventh Row. Click here to unsubscribe from the digest of recommendations. Don't want any Seventh Row emails? Hit the unsubscribe button below. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
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