\n
Don't want to receive updates on the Seventh Row Podcast?
\nClick here to opt out of future emails about the Seventh Row Podcast
\n\n\n","recentPosts":[{"id":9677365,"title":"Hazel’s reflections from a year of curated films","slug":"hazel-reflect-a-year-of-curated-films","status":"published","readingTime":1,"campaignCompletedAt":"2025-07-11T22:40:32.000Z","publishedAt":"2025-07-11T22:40:32.000Z","orderByDate":"2025-07-11T22:40:32.000Z","timeAgo":"18 days","thumbnailUrl":"https://embed.filekitcdn.com/e/pbMHAc3eg6yhKJG7Mfw64s/kSBKw2bTsnb8eYadsBVusN","thumbnailAlt":"","path":"posts/hazel-reflect-a-year-of-curated-films","url":"https://email.seventh-row.com/posts/hazel-reflect-a-year-of-curated-films","isPaid":null,"introContent":"Sometimes, committing to one curated film a month can lead to unexpected shifts in how you see films — and yourself. That’s exactly what Hazel, a longtime member of Reel Ruminators, has experienced. In this week’s podcast episode, she reflects on what she’s taken away from a year of participating — and how that simple, consistent practice has shaped the way she approaches films. We talked about: What happens when you watch films that aren't suggested by an algorithm. Why gathering with film...","campaignId":20176367,"publicationId":16747810,"metaDescription":""},{"id":9615598,"title":"Unclassifiable (in the BEST way)","slug":"unclassifiable-in-the-best-way","status":"published","readingTime":1,"campaignCompletedAt":"2025-07-06T19:21:09.000Z","publishedAt":"2025-07-06T19:21:09.000Z","orderByDate":"2025-07-06T19:21:09.000Z","timeAgo":"23 days","thumbnailUrl":"https://lh7-rt.googleusercontent.com/docsz/AD_4nXdb5q8_ieIJYnhMS6THqDkWALr_Bg32sg4RF5SJF-zFDnzrLlL_3wHexqbVTxfURT5eqRTpZtHg0nvFqH8raqovT3SqK6919_6h1YTCF8y3Cx7xL1tq3DGzUNa2DnYqD3XsZIJADg?key=j","thumbnailAlt":"","path":"posts/unclassifiable-in-the-best-way","url":"https://email.seventh-row.com/posts/unclassifiable-in-the-best-way","isPaid":null,"introContent":"Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...","campaignId":20113873,"publicationId":16685281,"metaDescription":""},{"id":9532540,"title":"Ten years later, 45 Years still stuns","slug":"ten-years-later-45-years-still-stuns","status":"published","readingTime":1,"campaignCompletedAt":"2025-06-27T22:00:39.000Z","publishedAt":"2025-06-27T22:00:39.000Z","orderByDate":"2025-06-27T22:00:39.000Z","timeAgo":"about 1 month","thumbnailUrl":"https://embed.filekitcdn.com/e/pbMHAc3eg6yhKJG7Mfw64s/syKrrn1PJEFpArvX6xvwCx/email","thumbnailAlt":"","path":"posts/ten-years-later-45-years-still-stuns","url":"https://email.seventh-row.com/posts/ten-years-later-45-years-still-stuns","isPaid":null,"introContent":"Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past...","campaignId":20015685,"publicationId":16586765,"metaDescription":""}],"newsletter":{"formId":2186100,"productId":108753,"productUrl":"https://email.seventh-row.com/products/the-globetrotting-watchlist","featuredPostId":null,"subscribersOnly":false},"isPaidSubscriber":false,"isSubscriber":false,"originUrl":"https://email.seventh-row.com/posts/new-episode-an-interview-with-ghostlight-directors-kelly-o-sullivan-and-alex-thompson","creatorProfileName":"Seventh Row","creatorProfileId":11387}
Hello Reader, This year's Sundance hit Ghostlight is rolling out to cinemas across the US and Canada. To celebrate, I talked to the co-directors on the podcast. A few years ago, Alex Thompson directed the wonderful Saint Frances, written by and starring Kelly O'Sullivan. The film was a wonderful thirtysomething coming-of-ager featuring a thoughtful abortion subplot. Despite premiering at SXSW, it felt like a Sundance film, only better than almost everything that had premiered at that level at Sundance that year. Hoping to please Saint Frances fans, the pair (life partners, parents, and collaborators) have reteamed, this time as a directorial team, for Ghostlight, which O'Sullivan penned but does not appear in. She was busy directing the other actors! The film is the story of middle-aged grief-stricken Dan who discovers theatre and Shakespeare are an excellent outlet for coping with his feelings and anger, which are starting to damage his family and his life. In this episode, I sat down with Kelly and Alex to discuss the power of theatre, falling in love with Shakespeare, adapting Shakespeare for the screen, and why they wanted to tell this story. The conversation is a continuation of our ongoing look at Shakespeare on screen. >>Listen to the Ghostlight episode << Want more Shakespeare-related content on the podcast? >>Listen to more Shakespeare-related episodes with our Spotify Shakespeare playlist<< Happy listening and watching! Best, Alex P.S. Don't miss your last chance to get the Josh O'Connor x Luca Guadagnino ebook bundle to extend the Challengers high (which is now on VOD!). Get our ebooks on O'Connor's breakout film God's Own Country, and Luca's masterpiece, Call Me by Your Name, at a 35% discount. The bundle is only available until Sunday at 11:59 pm ET.
|
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Sometimes, committing to one curated film a month can lead to unexpected shifts in how you see films — and yourself. That’s exactly what Hazel, a longtime member of Reel Ruminators, has experienced. In this week’s podcast episode, she reflects on what she’s taken away from a year of participating — and how that simple, consistent practice has shaped the way she approaches films. We talked about: What happens when you watch films that aren't suggested by an algorithm. Why gathering with film...
Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...
Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past...