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Hello Reader, Is Halina Reijn's Babygirl the erotic thriller of the year? Is it even an erotic thriller?! Nicole Kidman's performance is getting all the buzz; she won Best Actress at Venice. But the film's best asset is rising star Harris Dickinson (Beach Rats, Triangle of Sadness), as the intern to her CEO, the unexpected lover in a power-exchange relationship who knows exactly what she needs and isn't getting from her husband (Antonio Banderas). Love it, hate it, or feel kinda middling about it as we did, Babygirl offers a lot of food for thought! Today on the podcast, I'm joined by Woman in Revolt Editor-in-Chief Lindsay Pugh to dig into why we think Babygirl is worth talking about...even if we didn't totally love it. Episode 155: Halina Reijn's BabygirlHappy watching/listening! Alex
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You might be wondering what it's actually like to step into The Deep Focus. So here's a little taste. The first thing I always do is point you to a moment worth looking at. Below is one from the beginning of Sentimental Value. Take a sec to see what you spot in the image. Everything counts — even (and especially) the obvious. You might have noticed: ✨ We're looking through a window (which takes up most of the frame). ✨ We're watching someone through glass. ✨ Someone is leaving. ✨ It's a...
I’m running something new in April. It’s called The Deep Focus. We’ll spend three weeks with two films by Joachim Trier — Oslo, August 31st and Sentimental Value — following how they’re put together. We'll look at specific moments, trace patterns within and across the films, and see how those choices shape what you feel. If you’ve ever felt a scene hit — and weren't quite sure why — this is a space to stay with that question long enough to find an answer. I won’t tell you what to think.But I...
A couple of weeks ago, I was listening to Bill Hader, the SNL star-turned-writer-director, on the Team Deakins podcast. He was talking about rewatching Who’s Afraid of Virginia Woolf?, hitting a moment that felt like an emotional gut punch — and literally pausing the film to ask:“Why did that hit me?!” That kind of moment — where something lands harder than you expect —and you feel something strongly before you know why… You’ve probably had that, too. Even Hader — who thinks about directing...