Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Now in cinemas: Halina Reijn's Babygirl
|
Hello Reader, Is Halina Reijn's Babygirl the erotic thriller of the year? Is it even an erotic thriller?! Nicole Kidman's performance is getting all the buzz; she won Best Actress at Venice. But the film's best asset is rising star Harris Dickinson (Beach Rats, Triangle of Sadness), as the intern to her CEO, the unexpected lover in a power-exchange relationship who knows exactly what she needs and isn't getting from her husband (Antonio Banderas). Love it, hate it, or feel kinda middling about it as we did, Babygirl offers a lot of food for thought! Today on the podcast, I'm joined by Woman in Revolt Editor-in-Chief Lindsay Pugh to dig into why we think Babygirl is worth talking about...even if we didn't totally love it. Episode 155: Halina Reijn's BabygirlHappy watching/listening! Alex
|
Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
On Sunday night at 9:15 pm, I filed into the InsideOut screening of Allan Deberton’s Gugu’s World, a Brazilian film about an 11-year-old queer boy growing up with his doting but ailing grandmother — after his father couldn’t accept him as he is. Earlier this year, the film premiered in the Berlinale’s Generation section — dedicated to films about young people, for young audiences — where it won the Crystal Bear for Best Film for audiences under 12. So why was it screening at 9:15 pm? And why...
There's a moment at the beginning of Lean on Pete that seems so naturalistic and incidental, it hadn't even occurred to me it might reveal a lot about the central character, Charley. On his way out for his morning run, Charley picks up a moving box lying on the ground in front of his house and puts it in a recycling bin. When I talked to writer-director Andrew Haigh about the film, I discovered that this moment was actually written into the script. As Haigh put it, "He’s leaving the house,...
You might be wondering what it's actually like to step into The Deep Focus. So here's a little taste. The first thing I always do is point you to a moment worth looking at. Below is one from the beginning of Sentimental Value. Take a sec to see what you spot in the image. Everything counts — even (and especially) the obvious. You might have noticed: ✨ We're looking through a window (which takes up most of the frame). ✨ We're watching someone through glass. ✨ Someone is leaving. ✨ It's a...