That’s exactly what I offer in Reel Ruminators, a monthly film club for curious, thoughtful movie lovers.
\nThere’s still time to join us for May’s edition, where we’re diving into a stunning work of queer African cinema by a BIPOC filmmaker whose new film is premiering at Cannes this week.
\nExpect:
🎥 One under-the-radar film to savour
🧠 Guided resources to deepen your watch
🌍 A global community of film lovers
💬 A live, smart-but-casual Zoom discussion to unpack it all — on May 29 at 2 p.m. ET
→ Join us here
\nP.S. I’ll be hosting the discussion — would love to see you there.
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Hello Reader, When End of the Century hit our screens back in 2019, it felt like discovering a secret: a queer Before Trilogy wrapped into a single film, where every encounter rewrites the last and nothing unfolds in a straight line. Lucio Castro is the kind of filmmaker I love to spotlight: making rich, risk-taking work outside the mainstream. His new film, Drunken Noodles, just premiered at Cannes’ ACID sidebar — and while it’s not yet available to stream, it’s one to keep on your radar. I sat down with him just before the premiere to talk about:
Wish it were easier to find films like Drunken Noodles — and soak up everything they have to offer? There’s still time to join us for May’s edition, where we’re diving into a stunning work of queer African cinema by a BIPOC filmmaker whose new film is premiering at Cannes this week. Expect: → Join us here P.S. I’ll be hosting the discussion — would love to see you there. |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Sometimes, committing to one curated film a month can lead to unexpected shifts in how you see films — and yourself. That’s exactly what Hazel, a longtime member of Reel Ruminators, has experienced. In this week’s podcast episode, she reflects on what she’s taken away from a year of participating — and how that simple, consistent practice has shaped the way she approaches films. We talked about: What happens when you watch films that aren't suggested by an algorithm. Why gathering with film...
Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...
Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past...