Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
The key to great character dramas
|
Hello Reader, A great character drama isn't just interested in its characters as individuals but as people responding to the world around them (other people, the culture, systemic structures, etc.). So many movies make the mistake of becoming star vehicles without realizing the star can only shine as bright as the world they're responding to. But there's a new movie out this week that exemplifies this definition of a great character drama: a film as interested in the characters at its centre as the world around them which defines them. That film is... The Girl with the NeedleIt's Denmark's Oscar submission for Best International Film and one of the year's best films. Set around WWI in Copenhagen, The Girl with the Needle sits at the edge between social realism and horror, a black-and-white film about a young woman in crisis in a society that's indifferent at best and actively cruel at worst. But her choices (and the choices of a woman she meets and starts to work for) can only be fully understood through discovering the world they're living in. Today on the podcast...I discuss what good world-building looks like and why it's so important, using The Girl with the Needle as the exemplar. Then, I talk to the film's director, Magnus von Horn, about how he conceived the world of the film (shooting in black and white, working with miniatures, and beyond!) and what that taught him about the characters' choices. Happy watching/listening! Alex P.S. The December Globetrotting Newsletter, which offers streaming recommendations for under-the-radar films, goes out on Friday at 6 p.m. ET. Sign up now so you don't miss it!
|
Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
“I love you just the way you are.” It’s what Mark Darcy (almost) famously says to Bridget Jones, his paramour, near the end of Bridget Jones’s Diary — a film I love to absolute bits despite its (many) flaws. But while I’ve spent more than one Christmas watching and rewatching Bridget — and even talking over it to complain... I’ve noticed that, lately, I’ve been trading in this straight romantic fantasy for its queer version. Because the fantasy in queer films is a parent (or parental figure)...
Chloé Zhao's Hamnet is a top contender for the Oscars. But while many found themselves weeping for large chunks of the film, I left dry-eyed. So did my guest on today’s podcast, Angelo Muredda. (And we’re easy criers. So we tried to figure out why this film didn’t work for us.) Based on Maggie O’Farrell’s novel — which imagines a part of Shakespeare’s life we know little about, including the courtship with his wife, the death of their son Hamnet, and the possible autobiographical links to...
I recently learned about the term “Second Screen.” It describes a kind of TV made to be watched while you’re also on your phone.(Think: easy-to-follow dialogue, minimal visual complexity, no real consequences for tuning out.) And I’ve noticed I’m getting trained by it. I’ll start a show like Matlock or Industry with the intention of paying attention. By the final episodes, I’m just listening to it on my phone while I make dinner. My phone is in my pocket. And honestly, it seems like nobody...