Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
The key to great character dramas
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Hello Reader, A great character drama isn't just interested in its characters as individuals but as people responding to the world around them (other people, the culture, systemic structures, etc.). So many movies make the mistake of becoming star vehicles without realizing the star can only shine as bright as the world they're responding to. But there's a new movie out this week that exemplifies this definition of a great character drama: a film as interested in the characters at its centre as the world around them which defines them. That film is... The Girl with the NeedleIt's Denmark's Oscar submission for Best International Film and one of the year's best films. Set around WWI in Copenhagen, The Girl with the Needle sits at the edge between social realism and horror, a black-and-white film about a young woman in crisis in a society that's indifferent at best and actively cruel at worst. But her choices (and the choices of a woman she meets and starts to work for) can only be fully understood through discovering the world they're living in. Today on the podcast...I discuss what good world-building looks like and why it's so important, using The Girl with the Needle as the exemplar. Then, I talk to the film's director, Magnus von Horn, about how he conceived the world of the film (shooting in black and white, working with miniatures, and beyond!) and what that taught him about the characters' choices. Happy watching/listening! Alex P.S. The December Globetrotting Newsletter, which offers streaming recommendations for under-the-radar films, goes out on Friday at 6 p.m. ET. Sign up now so you don't miss it!
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Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Julie spends most of The Worst Person in the World trying to work out what kind of life she wants. She changes degrees. She changes relationships. She keeps discovering that the life she thought she wanted no longer quite fits. From the outside, it could look like she just can’t make up her mind. But that’s not how it feels to watch her. Somehow, throughout the film, we always seem to understand: When something in Julie’s life stops feeling like it fits What Julie thinks her options are How...
Charli XCX declared last summer "Joachim Trier Summer" — and Elle Fanning arrived at Cannes in agreement: This summer, I thought: why not make Joachim Trier Summer something you can actually join? So I'm hosting it — and you're invited. If you've been here a while then you probably already know there are few filmmakers whose work I love as much as Joachim Trier's. I named his Oslo, August 31st the best film of the 2010s, Sentimental Value the best film of 2025 — and I'm working on a book on...
If you're considering joining The Long Arc: Looking Season 1, which starts next Tuesday, June 30 — I haven't actually talked about the most important thing. Why a 10-week commitment lets us have a better conversation than something you can drop in and out of. So let me walk you through the long arc you — and the group — will go through, too. (Yup, I'm not just talking about the long arc of a season of TV!) In Week 1, you'll start learning how to investigate this show. As soon as you join,...