Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
The movie cure for the inauguration blues...
|
...is a Mike Leigh movie from 2018, set in 1800s England, called Peterloo! There are two very good reasons to watch Peterloo this month:
What is Peterloo?The film dramatizes the peaceful political rally held in Peter's Square in Manchester in the 1800s in favour of enfranchising the population of the newly booming industrial town. It's a working-class story of political empowerment...but the rally, which happened on the heels of the Battle of Waterloo, ended in bloodshed (hence the name 'Peterloo') because the upper classes wanted to scare the working classes into submission. How does Mike Leigh put his spin on the period drama?I wrote a whole essay on this in Peterloo in Process: A Mike Leigh Collaboration. But here's the introduction: “Mike Leigh’s Peterloo is a rare story about the fight for a fairer democracy: one of carnage rather than triumph, one that ends with tragedy and unfinished labour rather than success and social change. In other words, despite its broad canvas, including more than a hundred characters acting out historical events, Peterloo is every bit a Mike Leigh film: peppered with flawed, complicated characters, inspirational because it is a story of recognizable people, and nothing like the silk-swishing period pieces that are the staple of British cinema. Why is Peterloo inspiring?Here's the closing paragraph of my essay on the film in our ebook Peterloo in Process: A Mike Leigh Collaboration “Despite the tragedy of Peterloo, I left the theatre invigorated about not just the need for change, but the feeling that spurring that change is something accessible to all of us. The organizers and participants at Peterloo are not Great Men, but flawed, complicated individuals; it is easy to see ourselves in them. Leigh and Pope deliberately put us in the shoes of characters who are deliberating about their political engagement. They are part of what makes Peterloo so terrifying for the upper classes: the sheer number of working-class people there could not be ignored. Leigh thus empowers viewers by making us feel like we, like the Ogdens, can do something. The battle of Peterloo may not have been won, but that is the point: the fight for democracy is ongoing." How to watch Peterloo🇨🇦 Hoopla, Apple TV 🇺🇸 Prime, Rent on Apple TV 🇬🇧 Rent/buy on Apple TV/Sky Store Happy watching! Alex Do you know somebody who would be interested in Peterloo? Please forward this email to them! They can also sign up for this free newsletter at email.seventh-row.com! |
Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
On Sunday night at 9:15 pm, I filed into the InsideOut screening of Allan Deberton’s Gugu’s World, a Brazilian film about an 11-year-old queer boy growing up with his doting but ailing grandmother — after his father couldn’t accept him as he is. Earlier this year, the film premiered in the Berlinale’s Generation section — dedicated to films about young people, for young audiences — where it won the Crystal Bear for Best Film for audiences under 12. So why was it screening at 9:15 pm? And why...
There's a moment at the beginning of Lean on Pete that seems so naturalistic and incidental, it hadn't even occurred to me it might reveal a lot about the central character, Charley. On his way out for his morning run, Charley picks up a moving box lying on the ground in front of his house and puts it in a recycling bin. When I talked to writer-director Andrew Haigh about the film, I discovered that this moment was actually written into the script. As Haigh put it, "He’s leaving the house,...
You might be wondering what it's actually like to step into The Deep Focus. So here's a little taste. The first thing I always do is point you to a moment worth looking at. Below is one from the beginning of Sentimental Value. Take a sec to see what you spot in the image. Everything counts — even (and especially) the obvious. You might have noticed: ✨ We're looking through a window (which takes up most of the frame). ✨ We're watching someone through glass. ✨ Someone is leaving. ✨ It's a...