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Hello Reader, The 2024 Toronto International Film Festival kicks off today...and so does our coverage. On the website, I've published a list of 8 must-see shorts at the festival. I've also launched the TIFF 2024 Podcast Season! Whether you're at the festival, or following along at home, the season is for you. With themed episodes, I'll be putting several films in conversation to tease out some similar themes and ideas that films (from around the world) are exploring during the festival. The podcast will help you build your watchlist for future festivals (and releases), but also just offer an interesting survey of new world cinema, that's accessible (and spoiler-free!) even if you haven't seen the films or never plan to. The first episode, where I introduce the season and its purpose, is live now. 8 Must-See Short Films at TIFF 2024I've curated a list of 8 must-see short films. Many of these films will be making the rounds at festivals, so I suggest keeping an eye out for them at your local. The films come from Canada, the US, the Netherlands, Kosovo, the UK, and Croatia. Some are animated, nonfiction, musicals, and dramas. When they eventually make it to streaming (in a year or more!), I'll also keep you posted. Stay tuned for more updates from the festival on the website and on the podcast. You can bookmark those pages: Alex
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Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Quick question for you, Reader — Have you ever walked away from an episode of TV knowing something about a character without being entirely sure how you learned it? Most of us can tell when a character feels lost, comfortable, trapped, hopeful, uncertain, or in love. We don't usually stop to ask how the show taught us that. And even if we did, where would we start? Because it's usually not any one thing. It's how the dialogue, performances, costumes, shot choices, directing, and editing all...
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