Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
TIFF 2024 has begun! And so has our podcast & our list of the best shorts
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Hello Reader, The 2024 Toronto International Film Festival kicks off today...and so does our coverage. On the website, I've published a list of 8 must-see shorts at the festival. I've also launched the TIFF 2024 Podcast Season! Whether you're at the festival, or following along at home, the season is for you. With themed episodes, I'll be putting several films in conversation to tease out some similar themes and ideas that films (from around the world) are exploring during the festival. The podcast will help you build your watchlist for future festivals (and releases), but also just offer an interesting survey of new world cinema, that's accessible (and spoiler-free!) even if you haven't seen the films or never plan to. The first episode, where I introduce the season and its purpose, is live now. 8 Must-See Short Films at TIFF 2024I've curated a list of 8 must-see short films. Many of these films will be making the rounds at festivals, so I suggest keeping an eye out for them at your local. The films come from Canada, the US, the Netherlands, Kosovo, the UK, and Croatia. Some are animated, nonfiction, musicals, and dramas. When they eventually make it to streaming (in a year or more!), I'll also keep you posted. Stay tuned for more updates from the festival on the website and on the podcast. You can bookmark those pages: Alex
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Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
There's a moment in the first episode of Looking that still lives rent-free in my head: Patrick meets Richie — his love interest for the season — on Muni (San Francisco's public transit). I lived in the Bay Area when it aired in 2014. So I spent the next three years riding Muni hoping my Richie would find me there, too. Which is a lot of influence for a scene that lasts only a few minutes. Of course, that was partly about what happens later in the show — when we find out just how great Richie...
There's a moment in the first episode of Looking that I didn't fully appreciate until I was on my, IDK, 15th rewatch. After a catastrophically bad first date, Patrick (Jonathan Groff) gets on the Muni (San Francisco's public transit) to head to the bachelor party of his ex-boyfriend who he dumped for being boring. But first, he looks at a map: Like so much of Looking, it plays as completely naturalistic the first time you watch it. Patrick is trying to figure out where he's going next. But...
What do Mad Men, The Good Wife, Gossip Girl, and Looking have in common? Aside from being four of the best TV series of this century? (I said what I said.) On the surface, they look very different. Mad Men is about advertising creatives in 1960s New York. The Good Wife is about a Chicago lawyer rebuilding her career after years spent raising children. Gossip Girl (the OG one) is Edith Wharton’s The House of Mirth — if it were about teenagers with smartphones. And Looking is about three gay...