Hello Reader, Have you ever seen a movie that hit you so hard, so personally, that you felt like, "Someone reached into my brain and made a movie about my life"? That's how I feel about the film Oslo, August 31st, the film Seventh Row named the best film of the 2010s. It wasn't just a movie I loved, but one that would have substantial ripple effects on my life as a cinephile and critic. But I almost didn't see it. In fact, it sounded exactly like the kind of movie I was trying to avoid! Yet, I took a risk and saw it. And reaped the rewards for years to come. Since then, I've wondered: What allowed me to take a risk and see this movie? What can you do to make sure you don't miss your version of Oslo, August 31st? In the episode, I talk about how I came close to never seeing Oslo, August 31st and what it taught me about what you can do so that you don't miss your version of Oslo, August 31st. Happy watching/listening! Alex P.S. If you want to discover 12 great films per year that you might have otherwise missed in cinemas, the brand new Reel Ruminators: Explorer is for you! Doors are now open until Tuesday.
|
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, As we teased in episode 161, this is the time of year when the best international films of the year come out in cinemas. One of the year's best films, the queer French erotic thriller Misericordia by Alain Guiraudie, is out in cinemas this week. It's definitely not for everyone, but it's an extremely well-made film that takes unexpected turns and is often very funny. Episode 165: Alain Guiraudie's Misericordia Today, on the podcast, I briefly discuss why I liked the film and...
Hello Reader, It’s not very often that we get a movie for adults that’s smart and fun and screening theatrically. But Steven Soderbergh’s London-set spy thriller Black Bag fits this bill and opened in North American cinemas last weekend. The film features major stars like Cate Blanchett and Michael Fassbender, who play the married couple around whose relationship the film pivots, and major lesser-known talents like Tom Burke and Naomie Harris in key supporting roles. As a card-carrying...
Hello Reader, Joan Micklin Silver was writing and directing movies in 1970s America when very few women were. Elaine May’s A New Leaf came a few years before Silver’s first feature, but Silver pre-dated filmmakers like Claudia Weill, Nora Ephron, and more who followed in her footsteps. Her four features are all excellent, and a great B Side to the era's films — the Jewishness of a Woody Allen movie without all the creepiness, the emancipated women of Mazursky but told by a woman. But what...