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Hello Reader, Have you ever seen a movie that hit you so hard, so personally, that you felt like, "Someone reached into my brain and made a movie about my life"? That's how I feel about the film Oslo, August 31st, the film Seventh Row named the best film of the 2010s. It wasn't just a movie I loved, but one that would have substantial ripple effects on my life as a cinephile and critic. But I almost didn't see it. In fact, it sounded exactly like the kind of movie I was trying to avoid! Yet, I took a risk and saw it. And reaped the rewards for years to come. Since then, I've wondered: What allowed me to take a risk and see this movie? What can you do to make sure you don't miss your version of Oslo, August 31st? In the episode, I talk about how I came close to never seeing Oslo, August 31st and what it taught me about what you can do so that you don't miss your version of Oslo, August 31st. Happy watching/listening! Alex P.S. If you want to discover 12 great films per year that you might have otherwise missed in cinemas, the brand new Reel Ruminators: Explorer is for you! Doors are now open until Tuesday.
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Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, Welcome to your January edition of The Globetrotting Watchlist. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter This month, I'm recommending the best documentaries of 2025: A Spanish film about bullfighting (no interest in bullfighting required) A German movie...
Near the end of Sound of Falling (the film I discuss on this week's Seventh Row Podcast), Angelika (the blurry figure in the photograph below) poses uncomfortably for a family photo in the 1980s before disappearing. How we read this photo — and what it means that she's blurry in it — is something we can only construct from the film's form: How this image evokes ones we've seen before in the film's 1914, 1940s, and present-day timelines. And how the scenes leading up to this — not just plot...
Every year since I started voting in critics’ awards, I’ve engaged in the time-honoured tradition of effectively spoiling my ballot. In other words, I vote for my favourite picks, even if they have zero chance of being nominated by anyone else. For an insight into my proclivities, in 2023, this was my Best Actor lineup: Alessandro Borghi, The Eight Mountains (Italy/Belgium)Andrew Scott, All of Us Strangers (UK)Benoît Magimel, Pacifiction (France/Spain)Luca Marinelli, The Eight Mountains...