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Every year, I seek out queer and trans stories at festivals — and I love when they spark new questions or make me rethink something I thought I understood. This year at TIFF, the films got me thinking about questions that I’m sure will shape the discussion about queer and trans stories at Living Out Loud next week:
There are no easy answers, and every film I see — and conversation I have — about queer and trans cinema complicates my answers. On the podcast, I talked about how two films I saw at TIFF helped me think these through: 🎧 Ep. 181: Between Dreams and Hope and queer + trans survival I also connect it to two other queer films I've seen recently, which explore queer people navigating legal and medical systems. 🎧 Ep. 183: The Choral I found myself asking, "Is it a queer film?" Is it even trying to be a queer film? Whether or not you’ve seen the films, the episodes are really about the frameworks we bring to queer and trans cinema — and how those evolve with each new story. If that kind of reflection is your thing — or you're curious what others are seeing, feeling, and questioning in queer and trans stories — I’d love to see you at Living Out Loud. On Day 2 (October 4), we’ll dig into (among other things):
📌 Living Out Loud details🗓 October 3–5, 2 pm-4 pm ET daily, live & online ✨ Panel convos with critics, scholars, historians, and filmmakers (Oct 3 + 4) 🎬 A queer short film screening + discussion (Oct 5) 🗣️ Plenty of space for audience questions and interaction — your presence really does shape what happens in the room 💸 Free to register + attend 📝 Registration required (yup, even if you got this email) 👉 Register here Hope to see you there, Alex Host of Seventh Row Podcast | Curator of Living Out Loud Not interested in Living Out Loud? Click here to opt out of these emails. |
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The best film I saw at this year’s Berlinale was a 19th-century period drama that felt like Portrait of a Lady on Fire meets Belle meets An Education. Much like in Portrait of a Lady on Fire, the only men in the film are servants or employees. Which means the story can laser-focus on the racial, class, and sexual hierarchies the women are still subject to, even when men aren’t around. Like Portrait, it is about lesbians. And like Belle, one of the main characters is a racialized aristocrat....
I'm technically writing to you from Toronto, where the snow is starting to melt, and the skies are still stubbornly grey. Even though I'm not at the Berlinale in person, my disembodied voice was there this morning at a panel on how we're discussing, talking about, and thinking about film in 2026. (Which means my talk was something I recorded, and you can listen to it! Even if, like me, you're on a different continent right now.) Most of the wonderful panellists were discussing their work to...
Hello Reader, Welcome to your January edition of The Globetrotting Watchlist. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter This month, I'm recommending the best documentaries of 2025: A Spanish film about bullfighting (no interest in bullfighting required) A German movie...