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Hello Reader, Last week, a listener who had heard my episode on Small Things Like These expressed to me that she couldn't believe how hard it was to see the film. "I live in Brooklyn, and it's only playing in one cinema! This film has terrible distribution!" That is, the film's rollout to cinemas is terrible. And that got me thinking. That is terrible distribution. And yet Small Things Like These actually has very good distribution for an indie movie, especially given its subject matter, even though it stars newly minted Oscar Winner Cillian Murphy. That's why the film's distribution is as good as it is! It's getting harder and harder to see movies for grownups in cinemas. If they even make it to your local cinema, you might have two weeks or less to see it before it disappears. It's not impossible to see the new Cillian Murphy movie Small Things Like These in a cinema. So you can only imagine how much worse it is for movies that aren't in English and don't have major movie stars behind them! Especially when they're subtle, thoughtful films. On today's podcast episode, I put Small Things Like These in the context of similar films to show you why, even though it's a pain in the neck to try to see it...it's much easier to see Small Things Like These in a cinema than most films of its ilk. In the episode, I discuss:
Happy watching/listening! Alex P.S. If you want to discover 12 great films per year that you might have otherwise missed in cinemas, the brand new Reel Ruminators: Explorer is for you! Doors are now open until Tuesday.
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Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, Welcome to your January edition of The Globetrotting Watchlist. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter This month, I'm recommending the best documentaries of 2025: A Spanish film about bullfighting (no interest in bullfighting required) A German movie...
Near the end of Sound of Falling (the film I discuss on this week's Seventh Row Podcast), Angelika (the blurry figure in the photograph below) poses uncomfortably for a family photo in the 1980s before disappearing. How we read this photo — and what it means that she's blurry in it — is something we can only construct from the film's form: How this image evokes ones we've seen before in the film's 1914, 1940s, and present-day timelines. And how the scenes leading up to this — not just plot...
Every year since I started voting in critics’ awards, I’ve engaged in the time-honoured tradition of effectively spoiling my ballot. In other words, I vote for my favourite picks, even if they have zero chance of being nominated by anyone else. For an insight into my proclivities, in 2023, this was my Best Actor lineup: Alessandro Borghi, The Eight Mountains (Italy/Belgium)Andrew Scott, All of Us Strangers (UK)Benoît Magimel, Pacifiction (France/Spain)Luca Marinelli, The Eight Mountains...