Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Why is it so hard to see the new Cillian Murphy movie?
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Hello Reader, Last week, a listener who had heard my episode on Small Things Like These expressed to me that she couldn't believe how hard it was to see the film. "I live in Brooklyn, and it's only playing in one cinema! This film has terrible distribution!" That is, the film's rollout to cinemas is terrible. And that got me thinking. That is terrible distribution. And yet Small Things Like These actually has very good distribution for an indie movie, especially given its subject matter, even though it stars newly minted Oscar Winner Cillian Murphy. That's why the film's distribution is as good as it is! It's getting harder and harder to see movies for grownups in cinemas. If they even make it to your local cinema, you might have two weeks or less to see it before it disappears. It's not impossible to see the new Cillian Murphy movie Small Things Like These in a cinema. So you can only imagine how much worse it is for movies that aren't in English and don't have major movie stars behind them! Especially when they're subtle, thoughtful films. On today's podcast episode, I put Small Things Like These in the context of similar films to show you why, even though it's a pain in the neck to try to see it...it's much easier to see Small Things Like These in a cinema than most films of its ilk. In the episode, I discuss:
Happy watching/listening! Alex P.S. If you want to discover 12 great films per year that you might have otherwise missed in cinemas, the brand new Reel Ruminators: Explorer is for you! Doors are now open until Tuesday.
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Seventh Row
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Early in this month’s Reel Ruminators film, the heroine declares: “I don’t want to meet interesting people, I want to be interesting.” That line gives you a sense of the film's tone: witty and searching, with something deeper always lurking beneath the surface. Join us this month for an effervescent trip to France for a film that’s bright, funny, emotionally rich, and full of restless energy. The film, which premiered at Cannes in Critics’ Week, is the first feature from a woman to watch,...
Some films change every time you rewatch them — not because they shift, but because you do. The mark of a great film is that it can meet you again — and offer more. Not just because your perspective has changed, but because the film is rich enough to hold what you couldn’t yet see. This year marks the tenth anniversary of Andrew Haigh’s 45 Years — and we’re celebrating it on the podcast because it’s one of the best films of the century. I’ve watched it at least once a year over the past...
Hello Reader, This week on the podcast, I’m digging into Celine Song’s new film, Materialists, which asks: Is love enough when money is tight? It’s got plenty going for it (that cast! that blocking!), but also tiptoes around the class and money dynamics it sets up. In this episode, I get into where it works, where it falls short, and how it stacks up next to films and shows that explore similar territory (Gossip Girl, Mansfield Park, and more). A few spoilers ahead, especially when I get into...