|
Hello Reader, Last week, a listener who had heard my episode on Small Things Like These expressed to me that she couldn't believe how hard it was to see the film. "I live in Brooklyn, and it's only playing in one cinema! This film has terrible distribution!" That is, the film's rollout to cinemas is terrible. And that got me thinking. That is terrible distribution. And yet Small Things Like These actually has very good distribution for an indie movie, especially given its subject matter, even though it stars newly minted Oscar Winner Cillian Murphy. That's why the film's distribution is as good as it is! It's getting harder and harder to see movies for grownups in cinemas. If they even make it to your local cinema, you might have two weeks or less to see it before it disappears. It's not impossible to see the new Cillian Murphy movie Small Things Like These in a cinema. So you can only imagine how much worse it is for movies that aren't in English and don't have major movie stars behind them! Especially when they're subtle, thoughtful films. On today's podcast episode, I put Small Things Like These in the context of similar films to show you why, even though it's a pain in the neck to try to see it...it's much easier to see Small Things Like These in a cinema than most films of its ilk. In the episode, I discuss:
Happy watching/listening! Alex P.S. If you want to discover 12 great films per year that you might have otherwise missed in cinemas, the brand new Reel Ruminators: Explorer is for you! Doors are now open until Tuesday.
|
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Hello Reader, Welcome to your Winter Wonderland edition of The Globetrotting Watchlist. Whether you’re a longtime Globetrotting Watchlist subscriber or Film Adventurer/Cinephile Member, or just finding your way here, thank you. Your support helps to keep Seventh Row nonprofit, ad-free, and fiercely independent. What's Inside the Globetrotting Newsletter Toronto has been covered in snow for the past week, so this month's edition is full of wintery, snow-covered films. Atanarjuat: The Fast...
“I love you just the way you are.” It’s what Mark Darcy (almost) famously says to Bridget Jones, his paramour, near the end of Bridget Jones’s Diary — a film I love to absolute bits despite its (many) flaws. But while I’ve spent more than one Christmas watching and rewatching Bridget — and even talking over it to complain... I’ve noticed that, lately, I’ve been trading in this straight romantic fantasy for its queer version. Because the fantasy in queer films is a parent (or parental figure)...
Chloé Zhao's Hamnet is a top contender for the Oscars. But while many found themselves weeping for large chunks of the film, I left dry-eyed. So did my guest on today’s podcast, Angelo Muredda. (And we’re easy criers. So we tried to figure out why this film didn’t work for us.) Based on Maggie O’Farrell’s novel — which imagines a part of Shakespeare’s life we know little about, including the courtship with his wife, the death of their son Hamnet, and the possible autobiographical links to...