|
There's a moment in the first episode of Looking that still lives rent-free in my head: Patrick meets Richie — his love interest for the season — on Muni (San Francisco's public transit). I lived in the Bay Area when it aired in 2014. So I spent the next three years riding Muni hoping my Richie would find me there, too. Which is a lot of influence for a scene that lasts only a few minutes. Of course, that was partly about what happens later in the show — when we find out just how great Richie is. But I wasn't just thinking about the relationship that follows; I was thinking about this moment. So what made this tiny interaction stick with me for years?Most of us would probably answer: "Because we're feeling what Patrick's feeling — and it's exciting." And yes, there's an element of that! You can see Patrick (Jonathan Groff) smiling and grinning here, and you know something joyful is happening. He's charmed! But we can tell he's also thinking: "who IS this guy coming on SO strong I think I'm going to LEAVE now." But we aren't thinking that. Even though we can see that's also what's happening. We're screaming inside: THIS GUY IS THE ONE, PATRICK!! (Even before knowing what happens in the rest of the season.) We feel that pretty strongly because this scene isn't shot or cut like any other interaction Patrick's had so far. Maybe because it isn't like any other interaction. Patrick feels it, too. But it takes him a while to act on it — because he's feeling other things we aren't. So when Patrick finally goes looking for Richie at the end of the episode.... And looks understandably nervous... Why are we busy squeeing at the romance — and the first good decision he's made — not sharing his trepidation? Well, that's the kind of question we'll investigate in The Long Arc. Not just what is a character feeling — but what is the show asking us to feel? And how is that shaped not just by what we're watching right now, but what came before in the episode and in the season? If you're curious where questions like these might lead: The Long Arc: Looking Season 1 starts June 30. Alex |
Seventh Row is a nonprofit Canadian film criticism publication and publishing house. We're dedicated to helping you expand your horizons by curating the best socially progressive films from around the world and helping you think deeply about them. This newsletter is run by Seventh Row (http://seventh-row.com) but features exclusive content not found on the website.
Julie spends most of The Worst Person in the World trying to work out what kind of life she wants. She changes degrees. She changes relationships. She keeps discovering that the life she thought she wanted no longer quite fits. From the outside, it could look like she just can’t make up her mind. But that’s not how it feels to watch her. Somehow, throughout the film, we always seem to understand: When something in Julie’s life stops feeling like it fits What Julie thinks her options are How...
Charli XCX declared last summer "Joachim Trier Summer" — and Elle Fanning arrived at Cannes in agreement: This summer, I thought: why not make Joachim Trier Summer something you can actually join? So I'm hosting it — and you're invited. If you've been here a while then you probably already know there are few filmmakers whose work I love as much as Joachim Trier's. I named his Oslo, August 31st the best film of the 2010s, Sentimental Value the best film of 2025 — and I'm working on a book on...
If you're considering joining The Long Arc: Looking Season 1, which starts next Tuesday, June 30 — I haven't actually talked about the most important thing. Why a 10-week commitment lets us have a better conversation than something you can drop in and out of. So let me walk you through the long arc you — and the group — will go through, too. (Yup, I'm not just talking about the long arc of a season of TV!) In Week 1, you'll start learning how to investigate this show. As soon as you join,...